There is in the Florentine
Bargello a leaf of an ivory diptych which shows Adam
accompanied by the animals. He sits a little apart from them, but smiles down at
them with a dreamy expression on his face, and the animals seem perfectly at their
ease. It must date from the fourth century, when representations of Orpheus were
still common, changeable and contradictory, made up of fear, admiration, greed,
""cruelty and love. But why did the harmony of the Golden Age never exist?