To a human builder, the subject matter of animal architecture may sound as a charming
curiosity
that does not, however, justify serious thought or research. But a deeper study of animal building
behaviour reveals astonishingly refined structures and complex 'architectural' principles.
In terms of precision, animal constructions often surpass human skills of construction.
But many
animal structures also surpass human structures in relative size when the body size of the builder
is compared to the size of the structure. It is evident that the structures animals build for
themselves and their offspring are just as essential for their existence as architecture is for us.
Animal constructions serve the same fundamental purpose as human constructions; they alter the
immediate world to the benefit of the species by increasing orderliness and predictability of the
habitat. The constructions improve the animals' or their offsprings' chances of survival and
reproduction. The importance of nest building becomes apparent when one compares, for instance,
the different numbers of eggs various species have to lay in order to reproduce successfully,
depending on whether they construct a shelter for their eggs, and how efficient this architectural
protection is. Many of the structural and functional achievements of animal construction are
examples of astonishing perfection. The merciless struggle for survival, through millions of years of
evolutionary development and adaptation, has developed animal constructions as flawless
responses to their life conditions.
Our conventional concept of human architecture is restricted to the building that
has taken place
over roughly five thousand years of western high culture. In the past three decades, however, the
attention of architects has turned towards the wisdom and beauty of the building traditions among
the highly diverse indigenous human communities beyond western culture. Could we perhaps also
have something to learn from the ecological adaptations of animals' buildings? The Human art of
architecture is oriented towards aesthetic communication rather than biological survival. Altogether,
the ageless bio- cultural ingredients of human construction and behaviour have all but been
forgotten in today's theories of architecture.
Animal constructions meet the same kind of functional needs as human architecture.
Animals have
developed many inventions familiar to us from our own construction: roadways (ants), covered
streets (termites), deep wells (termites), heating and moisture regulation systems (termites, bees,
ants and others), stairways and ramps (termites), and hinged doors with handles (trap-door
spiders).
Animal constructions open up an important window on evolution, tradition and ecological
adaptation. Human behaviour and construction have become dangerously detached from their
ecological context. Our architecture is always doomed to compromise in its functionality, because
we also seek to represent our world symbolically in our construction. Human architecture is always
more dictated by cultural, metaphysical and aesthetic aims than by pure functionality and reason.
'Architecture is not only about domesticating space', writes philosopher Karsten Harries, 'it is also
a deep defence against the terror of time. The language of beauty is essentially the language of
timeless reality'. Or, as the young Alvar Aalto put it: 'Form is nothing else but a desire for eternal
life on earth'. But is the human race paradoxically endangering its earthly survival by turning its
subconscious interest on eternal life?
Further efficiency and sophistication are clearly the goals of the evolutionary processes
of animal
architecture. Animal buildings even fulfil strict criteria for economy and efficiency through
minimizing the use of material and labour. Certain animals, such as spiders and some wasp
species, eat their structures in order to reuse their building material. The capture net that certain
spiders eat, bypasses their digestive system and re-enters directly the silk glands and spinnerets;
this short-circuit prevents the unnecessary breaking down of proteins. Animal architecture teaches
us that a proper way towards an ecologically sound human architecture, which is urgently called for
today, is not through regressing back to primitive forms of construction, but through extreme
technological sophistication. But this architectural refinement needs to be ecologically grounded,
not merely aesthetic or metaphorical. Evolution works towards ever subtler refinement, not
backwards. Animal architecture provides support to the functionalist belief of an interdependance
between reason and beauty. More importantly, however, the unsurpassable marvels of animal
construction should teach all of us a welcome sense of humility.
The development of animal constructions towards increasing efficiency reveals an evolutionary
principle, the fundamental ethos of architecture, that human builders rarely consciously
acknowledge. 'Touch the earth lightly' is the lesson of Glenn Murcutt, one of the pioneers of
ecologically oriented architecture.