To a human builder, the subject matter of animal
architecture may sound as a charming curiosity that does not,
however, justify serious thought or research. But a deeper study of
animal building behaviour reveals astonishingly refined structures
and complex 'architectural' principles.
In terms of precision, animal constructions often
surpass human skills of construction. But many animal structures
also surpass human structures in relative size when the body size
of the builder is compared to the size of the structure. It is
evident that the structures animals build for themselves and their
offspring are just as essential for their existence as architecture
is for us. Animal constructions serve the same fundamental purpose
as human constructions; they alter the immediate world to the
benefit of the species by increasing orderliness and predictability
of the habitat. The constructions improve the animals' or their
offsprings' chances of survival and reproduction. The importance of
nest building becomes apparent when one compares, for instance, the
different numbers of eggs various species have to lay in order to
reproduce successfully, depending on whether they construct a
shelter for their eggs, and how efficient this architectural
protection is. Many of the structural and functional achievements
of animal construction are examples of astonishing perfection. The
merciless struggle for survival, through millions of years of
evolutionary development and adaptation, has developed animal
constructions as flawless responses to their life conditions.
Our conventional concept of human architecture is
restricted to the building that has taken place over roughly five
thousand years of western high culture. In the past three decades,
however, the attention of architects has turned towards the wisdom
and beauty of the building traditions among the highly diverse
indigenous human communities beyond western culture. Could we
perhaps also have something to learn from the ecological
adaptations of animals' buildings? The Human art of architecture is
oriented towards aesthetic communication rather than biological
survival. Altogether, the ageless bio- cultural ingredients of
human construction and behaviour have all but been forgotten in
today's theories of architecture.
Animal constructions meet the same kind of
functional needs as human architecture. Animals have developed many
inventions familiar to us from our own construction: roadways
(ants), covered streets (termites), deep wells (termites), heating
and moisture regulation systems (termites, bees, ants and others),
stairways and ramps (termites), and hinged doors with handles
(trap-door spiders).
Animal constructions open up an important window
on evolution, tradition and ecological adaptation. Human behaviour
and construction have become dangerously detached from their
ecological context. Our architecture is always doomed to compromise
in its functionality, because we also seek to represent our world
symbolically in our construction. Human architecture is always more
dictated by cultural, metaphysical and aesthetic aims than by pure
functionality and reason. 'Architecture is not only about
domesticating space', writes philosopher Karsten Harries, 'it is
also a deep defence against the terror of time. The language of
beauty is essentially the language of timeless reality'. Or, as the
young Alvar Aalto put it: 'Form is nothing else but a desire for
eternal life on earth'. But is the human race paradoxically
endangering its earthly survival by turning its subconscious
interest on eternal life?
Further efficiency and sophistication are clearly
the goals of the evolutionary processes of animal architecture.
Animal buildings even fulfil strict criteria for economy and
efficiency through minimizing the use of material and labour.
Certain animals, such as spiders and some wasp species, eat their
structures in order to reuse their building material. The capture
net that certain spiders eat, bypasses their digestive system and
re-enters directly the silk glands and spinnerets; this
short-circuit prevents the unnecessary breaking down of proteins.
Animal architecture teaches us that a proper way towards an
ecologically sound human architecture, which is urgently called for
today, is not through regressing back to primitive forms of
construction, but through extreme technological sophistication. But
this architectural refinement needs to be ecologically grounded,
not merely aesthetic or metaphorical. Evolution works towards ever
subtler refinement, not backwards. Animal architecture provides
support to the functionalist belief of an interdependance between
reason and beauty. More importantly, however, the unsurpassable
marvels of animal construction should teach all of us a welcome
sense of humility.
The development of animal constructions towards
increasing efficiency reveals an evolutionary principle, the
fundamental ethos of architecture, that human builders rarely
consciously acknowledge. 'Touch the earth lightly' is the lesson of
Glenn Murcutt, one of the pioneers of ecologically oriented
architecture.